Annie mac radio 1 setlist

Soon, however, its format shifted to setlists mixed by a variety of electronic acts, both mainstream and underground. This change reflected the show's increasingly eclectic musical sensibility as it equally embraced the populist and the avant-garde.

The style of music featured on The Breezeblock was consistently wide-ranging, and included among others alt-country , chillout , acid jazz , hip-hop , techno , funk , and reggae —with selections coming from all eras. Still, the show's ostensible focus was on experimental or " leftfield " electronic music.

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The show was also influential in promoting grime and dubstep , two subgenres—then little known—that arose from the London music scene in the late s and early s. Highlights of the show's long run include ambitious sets by Jason Pierce of Spiritualized , DJ Shadow , and The Bug , and also special presentations that introduced listeners to specific topics—for example, the genre oldschool jungle or the urban music culture of Berlin.

Notably, the tribute to Aphex Twin an alias of Richard D. James that aired on 7 December is also well-received despite the fact that James was not personally involved with the set. Though accompanied by a time slot change, the show's format, purpose, and breadth of genre have remained very similar. How would you plan it?

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It is noisy, it is aggressive yet it is wonderfully terrifying. For many BMTH fans, it all began at this album. With scorching vocals and fierce riffs, this track is destined to kick-start a meaty mosh pit, and what better way to set off a headline set? Before moving onto the second track, a warm welcome speech should be presented by Sykes before introducing their next track. Each track should move the audience while encouraging their enthusiasm from start to finish.

This track is pounding and plays around with dark, juddered guitar thrashes. Get ready to bust-a-move.

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While it is essential to keep a setlist fresh, it is still vitally important to chuck a couple archaic gems into the mix, too. One to get the crowd clinging onto their pals, and or fast made firm friends nearby. This track is less beatdown provoking. Placing this song towards the end of the show would implicate just how much effort the band are willing to put in to make sure they round up the show the best way they can.

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Before roaring through the final three, a short speech should be made from Sykes. Due to the scorching vocals and beat thuds from the drums being the main patterns of the next track, it is so important that the frontman psyches up his audience. It is so upbeat it would almost have fans feeling like they have been left on a cliff hanger.

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